Author: Brett Herriot

**** 4 Stars

“Captures the heart of the original beautifully!“

The Eternally popular pop musical Footloose based on the 1984 motion picture is chalking up its 28^th anniversary since its debut in 1998 at the Richard Rodgers Theatre on Broadway. Adapted for the stage by Dean Pitchford &Walter Bobbie and featuring music by Tom Snow with lyrics by Dean Pitchford, the musical tells the story of Ren McCormack (Sean Vannet) and his mother Ethel (Denise Trenor) who following the departure of Ren’s Father are forced to move to middle America to live with relatives in the town of Bomont. A town that’s troubled by a tragedy that befell it four years previously where dancing is banned, and the local reverend rules the roost.  What unfolds is an exploration of self, love, loss and dealing with grief and the unifying power of dance as an expression for our emotions.

Edinburgh based EMT revisit the production having staged it back in 2010 with new take on the show directed by Clare Wooton, choreographed by Flick Hannah and with musical direction from Emily Paterson in a production that captures the heart of the original beautifully.

The show is packed with excellent performances especially from the leads, Sean Vannet who delivers an emotionally honest turn rich in depth and character, he has great acting chops. The same is true of Tara McCullough as Ariel Moore her gorgeous voice soars and she captures the angst of teenage years excellently. Joshua Clarke’s Rev Shaw Moore could use a little more force, but he delivers a character whose internal conflict is portrayed with sensitivity. Denise Treanor is a pitch perfect single mother as Ren’s mum Ethel her performance is rich in wisdom. Special mention must go to Sarah-Louise Donnelly (Rusty), Anna Spence (Urleen) and Wallis Hamilton Carmichael (Wendy-Jo) an incredible female trio who blend their harmonies to perfection and makes “Somebody’s Eye’s” a stand out song in the show.

Director Clare Wooton and Choregrapher Flick Hannah have ensured every member of the 35 strong ensemble cast get there moment to shine but that said the decision to have the wonderful Robbie Noble, who is excellent as Chuck Cranston, perform as a featured dancer is jarring as one minute he is a baddie the next a beloved town member and it doesn’t quite work although Noble is an accomplished dancer.

Flick Hannah’s Choreography is a joy, perfectly capturing the original look and feel but refreshing it to give EMT a show that’s uniquely theirs. Musical Director Emily Paterson has done well on the music front ensuring the songs are delivered to the best of their abilities and backed by a fabulous seven strong pit band.

Both cast and band are supported by a faultless sound design from Blue Parrot productions which blends effortlessly with Lucas Milton’s lighting design combined with Chloe Bingham simple but effective Scenic design. The decision to use raised platforms helps no end and ensures while visually simple the story is delivered in excellent style.

EMT have brought a production of Footloose that delivers everything it should giving the audience a wonderful evening of musical theatre to enjoy. With a short run planed, head to the church hill theatre and get what few tickets remain, and you too can cut loose!

EMT Presents Footloose the Musical, Church Hill Theatre, Edinburgh, Runs until Saturday 4^th April  for more information and tickets go to: Box Office – Edinburgh Music Theatre

***** 5 Stars

“Rule breaking, pop odyssey that continues to defy time! “

When two unknown writers, who had never written anything musical in their lives put pen to paper and delivered “Six” to the 2017 Edinburgh Fringe could they have foreseen just how epic their creation would become? Well Toby Marlow & Lucy Moss history brought to life story backed by an epic pop score has just refreshed it’s cast and continues to prove that it’s a pure theatrical treat.

The production has finally found its forever west end home at the intimate Vaudeville Theatre on the Strand following its debut at the Arts Theatre in 2017 before transferring post covid to the Lyric Theatre. Now as the show prepares to mark its decade on the west end the 2026 company has been unveiled at a Gala performance.

Six is a pop concert revue show that takes us inside the lives of the six wives of King Henry VIII, Catherine of Aragon (Adrianne Langley), Anne Boleyn (Marisha Morgan), Jane Seymour (Jessica Aubrey), Anne of Cleves (Freya Karlettis), Katherine Howard (Leesa Tullet) and Catherine Parr (Nia Stephen).

The joy of this show is that its nothing to do with Henry VIII  but the woman who shaped his life, its ultimately a tale of empowerment, one of which that’s more potent given that even in today’s modern world, there simply isn’t enough strong females roles available. Six more than makes up for it with its stellar cast. These are performances that transcend the art form and the cast are universally excellent. That said Adrianne Langley performs “No Way” with such passion and style it literally burns its way into your memory and proves what a west end leading lady she is.

Production wise, Six Nails it with fast flowing direction from Lucy Moss and Jamie Armitage, Sharp and concise Choreography from Carrie-Anne Ingrouille that makes the most of Emma Baileys set design which makes the most of the Vaudeville intimate spaces which is boosted by Tim Deiling’s epic stadiumesk lighting design. Credit also to Paul Gatehouse sound design that brings the concert feel very much to life.

Creatively Gabriella Slade remarkable and award worthy costume design is the element that blends ancient historical characters into a modern world, think 16^th century meeting little mix it a true joy to behold.

Six continues to pack them at the Vaudeville and is currently extremely limited for its upcoming Scottish venue dates with people literally losing their heads trying to beg, borrow or steal a ticket.  What truly sets Six apart, is that it remains so fresh and inventive and for once it truly puts female empowerment at its very heart. Even the band lead by the incredible MD Beth Jerem proves no man can do what this collection of ladies can.

Six is a rule breaking, pop odyssey that continues to defy time for a generation of theatre goers that continues to speak across the generations, its legacy is already in the writing and this is one joyous 80 minutes of theatre you will want to see again and again, sadly for Scotland tickets are flying out the door but might you just be able to snag a gold dust ticket!

SIX, The Vaudeville Theatre, London, Production is currently booking until January 2027 for more information and tickets go to: London | Six The Musical | Official Site

SIX UK Tour production will visit Edinburgh’s Festival Theatre Tuesday 15^th to Saturday 26^th September for more information go to: SIX the Musical – Capital Theatres

The production will then transfer to Glasgow’s Theatre Royal from Tuesday 29^th September to Saturday 3^rd October for more information go to: Six Tickets | Theatre Royal Glasgow in Glasgow | ATG Tickets

“A fully immersive explosion of the senses “

**** 4 Stars

Remarkably it’s been 18 years since Suzanne Collins seminal and generation defining book “The Hunger Games” was published and during the two-decade period there have been four further books in the series encompassing the original trilogy and two prequels.  There are also the major motion picture adaptions starting in 2012 with Jennifer Lawrence playing Katness Everdeen and Josh Hutcherson as Peeta Mellark the story lead protagonists.

Could such a viral and evolving world ever work on stage? Well since the arrival of one of London’s newest and be far most immersive theatrical spaces created by the team at Troubadour, who have developed their newest theatre space in the heart of Canary Wharf, its time to find out! and my word do they deliver a fully immersive explosion of the senses!

Adapted from the original book and the first motion picture by Connor McPherson, Directed by Matthew Dunster and with Choreography by Charlotte Broom this is a production which puts ensemble event theatre at its heart while the staging and effects are incredible the trade-off is a loss of intimacy with the characters especially with Katness Everdeen performed by Mia Carragher while Carragher performs the role well she also acts as the show narrator and leaves the role with more two dimensional effect than a fully rounded character which leaves the audiences wishing the character showed just a tad more emotional depth and range. That said her spark with Euan Garrett as Peeta Mellark is as palpable as it is emotional and true credit to both performers, they carry a huge show on the shoulders with real depth and talent.

This really is ensemble theatre at its best the 28 strong company are fully committed and shine in what must be the most physically demanding productions in London. It is a workout of physical endurance and there are moments of sheer gravity defying choreography by Charlotte Broom especially in the sequence the cast are glued to the floor yet defy all sense of balance in a uniquely beguiling moment.

Production wise this is a triumph that’s only achievable with the venue being built to specially hold the show. Miriam Buether’s auditorium design is fully immersive to the point that some districts (seating banks) move during the show allowing audience members to view some scenes in the round and others in traverse a beautiful touch from director Matthew Dunster that allows the story to flow across the arena. Lucy Carter’s lighting design is one of pure beauty on an epic scale matched by Ian Dickinsons exquisite sound design. Tal Rosner’s video design is inspired and allows for the inclusion of John Malkovich as President Snow to work without overpowering the story or the performers on stage. The show is one of pure awe-inspiring magic thanks to Chris Fisher’s Illusion design, Kev McCurdy’s fight direction and John Maddox’s incredible work on performer flying and special effects.

Special mention must go to Moi Tran’s costume design its lush, futuristic, gorgeous and knocks the eye out whilst bringing the world of Panem to life and will prove to be an award winner. The same is true of JJ Wigs, wig, hair and make up design.

The Hunger Games on Stage really does deliver the ultimate immersive theatre experience that captures the audience from the moment the curtain rises and doesn’t let go for the next two and half hours. This is a show which will please the ardent fans alongside those discovering Panem for the first time.

This is theatre that lasts in memory long after you have seen it and reminds us that with creative endeavour just how good live theatre can be and the Troubadour Canary Wharf has set the barrier high! So why not head to the heart of London’s financial district and discover the power of Panem for yourself! It really is unmissable!

The Hunger Games on Stage, Troubadour Canary Wharf Theatre, for more information and tickets go to: The Hunger Games: On Stage | London Stage Show | Official Site

“Beguilingly Beautiful! “

***** 5 Stars

David Nicholls critically acclaimed 2009 novel One Day was adapted for the big screen in 2011 to great success before being adapted again for the small screen by Netflix in 2021 now the story that has touched the hearts of a generation gets a musical adaptation with book by David Greig, music and lyrics by Abner & Amanda Ramirez and additional lyrics by Jeremy Sams in a lyceum  and melting pot production that transcends the power of musical theatre leaving the audience wrapped by its beguilingly beautiful heart.

One Day tells the story of Emma (an enrapturing performance from Sharon Rose) and Dexter (a powerfully moving turn from the gifted Jamie Muscato) who on St Swithun’s day 1988 (July 15^th) have a one-night stand following their graduation from the University of Edinburgh knowing they must part the following morning. Emotions and connections are made as we revisit the couple on the same date for the next 20 years. There connection shaping their journey in exploration of how the small things make the biggest impact. It’s an honest exploration of life through both the good and bad times and a connection that appears unbreakable but then not everything is at it appears. Ultimately this is musical that explores the human condition in all its truth.

Directed by Max Webster this is an outstanding piece of musical theatre performed by a uniformly brilliant sixteen strong ensemble company who shine in every moment on stage. Muscato is a powerhouse of emotions, and he truly captures the emotions of Dex perfectly and his chemistry, which is the lynch pin of the story, with Sharon Rose is thrillingly truthful. Rose matches Muscato in spades with gorgeous honey-soaked vocals. The ensemble shine especially when delivering Carrie- Anne Ingrouille’s effective and capturing choreography. Special mention must go to Josefina Gabrielle as Alison Mayhew her performance takes emotional honesty to new levels as she turns in an award-winning performance.

Production wise One Day is an utter triumph; the Lyceum has been fully transformed into an in the round space thanks to Rae Smith’s incredible Set and Costume Design. There isn’t a bad seat in the house, and every audience member will enjoy perspective of the show that’s unique to them whilst also delivering breath taking intimacy the show thrives on. There is a flawless lighting design from Bruno Poet that captures life’s moments and emotions with equal grace and detail. Simon Baker’s sound design is equally flawless and the balance between performers and musical director Nigel Lilley’s exquisite  6 strong band is pitch perfect.

Speaking of the music, its fresh truthful and emotional and never overbearing and brings a rich quality to the show overall. One Day is a show which deserves all the accolades and it’s an honour to be able to see the show makes its debut in its home city.

The Royal Lyceum company have collaborated with Melting Pot to create a piece of theatre which not only transcends the art form but gives its audience a powerful jolt in that sometimes putting the story at the centre of the piece and eschewing glitzy special effects can truly release the heart of a show.

One Day is simply unmissable theatre and despite its admittedly long run time, the pacing is so perfect the show sails by leaving you wanting more. At the core of this timely and timeless production is love. Love for the art form, Love for the Story and love as the most potent of human emotions.

This is quite simply event theatre, and you would be foolish to miss it!, so grab what few tickets remain at the Lyceum and if you can try sitting on stage for a truly unforgettable theatrical experience and let the power of One Day the musical change all you knew about musical theatre.

One Day the Musical runs until Sunday 19^th April, for more information and tickets go to: One Day: The Musical | Lyceum