Brett Herriot at the Festivals

The Lady Boys of Bangkok – Glow Up Tour, Sabai Pavilion, Venue 189, Review:

**** (4 stars)

Eternally popular

Over quarter of a century ago Gandey productions brought a collection of Lady Boys to Edinburgh for the first time, to showcase a cabaret spectacular. For twenty five years the lady’s have gone from strength to strength and have become for so many an annual summer tradition.

Their Sabai Pavilion has once again pitched up outside the Sheraton Grand Hotel on Lothian Road and despite being affected by the recent storm the Boys are back in action and deliver a show filled with classic hits that rely totally on its original format of the Lady Boys accompanied by its resident drag queen as the blast through tributes from the Rocky Horror show, 80s and 90s pop hits and of course Tina Turner and the cherry on the cake is of course the annual finale in a loving homage to all things Scotland.

The Lady Boys remain eternally popular and draw huge crowds especially those on Stag and Hen nights alongside those starting out there night out the town with this glamourous and glitter packed cabaret so expect lots of noise from both the Boys and the audience alike!

There were issues with the sound on the evening of review its simply not loud enough, perhaps that’s due to the Pavilion location outside a hotel but given how loud the audience were through out the show the sound from the stage needs to match that.

There will always be questions over the ethics of what we are watching but the Lady Boys perform with clear talent and enthusiasm for what they do, and the Fringe wouldn’t feel the same without them and given how they are packing them into the Pavilion shows how beloved they are. A true corner stone of the festival.

The Lady Boys of Bangkok – Glow Up Tour, Sabai Pavilion, Venue 189 for info go to: https://www.edfringe.com/tickets/whats-on/the-lady-boys-of-bangkok-glow-up-tour

Brett Herriot at the Festivals

Midnight at the Palace, Big Yin at Gilded Balloon Patter House (Venue 24) Review:

***** 5 Stars

The Beating Heart of The Fringe!

For three brief years spanning 1969 to 1972 a psychedelic transgender theatre group pushed the boundaries of the world around them and others as the acclaimed “Cockettes” made a life changing impact on their generation and the generations to come with there passion for creating theatre which spoke to them as humans and indulged their eclectic sense of dress that blurred the lines between gender and sexuality. It also inspired and made stars of Devine and Sylvester!

It’s a period of our collective lgbtqia+ journey that’s often forgotten, and the Fringe has always been a home for throwing light on both forgotten stories and people. That what makes Midnight at the palace such a capturing performance. Playing its night slot at the top of Gilded Balloon’s patter house on Chamber Street this an hour of decadence, glitter and truth from a talented cast that engage the audience from the moment the curtain rises.

With music and lyrics by Brandon James Gwinn, book by Rae Binstock and directed and choregraphed by Paul McGill Midnight at the Palace feels very much a work in development but is already fully rounded with a storyline that captures the essence of the original Cockettes while telling their story with a clear focus.

Performances across the board are excellent from the stellar 8 strong ensemble cast special mention must go Gregory Haney as “Sylvester” perhaps the best known of those who emerged from the cockettes legacy his timing, vocals and presence are flawless. Andrew Horton as “Hibiscus” brings a striking physicality to the role that is every inch real and takes the audience behind the make up and sparkle to reveal the truth and often the price paid for choices made.

Midnight at the Palace is not a history lesson but a musical which pays tribute to those giants we stand on the shoulders of today and brings into view America in its most transitional time period. It’s truly the beating heart of the Fringe! This is a show which is a worthy glittering addition to any festival diary!

Midnight at the Palace, Big Yin at Gilded Balloon Patter House (Venue 24) more info go to: https://www.edfringe.com/tickets/whats-on/midnight-at-the-palace

Brett Herriot at the Festivals

Anthems: Award Winners, Edinburgh New Town Church (Venue 111) Review:

**** 4 Stars

A Spirited Show

Edinburgh Music Theatre continue there now traditional Fringe season of shows under the banner of “Anthems” with a reworking of their formula and present “Award Winners” at there festival home of Edinburgh New Town Church on George Street.

Instead of two different shows across an evening the company have developed a 2-act concert review the celebrates music from across the musical universe and even a couple of film songs slip in too. The only criteria is each song comes from either an Olivier, Tony or Oscar Winning score.

The thirty-three strong company back by an excellent three-piece house band under the direction of musical director Colin Grant deliver a spirted show filled with impassioned performances that blend lush vocal harmonies, snappy choreography from Ashleigh Le Cras in a show that really does deliver well.

Highlights include Wait for me from the acclaimed Hadestown, Skyfall from the bond movie of the same name and a blistering tribute to Six The musical all six ladies deliver blistering vocals in a number that’s the true high light of the show.

The company are clever in making musical choices across the 25 strong set list that defy expectations including performing Hail Holy Queen from the motion picture of Sister Act as opposed to the more modern musical adaptation. Also including Shallow from the 2017 motion picture of A Star is Born gives depth to the overall programme and adds real sparkle to a show which brings joyous fun to its audiences.

With a short three night run its worth catching this fun little show while you can! A really good end to any fringe day!

Anthems: Award Winners, Edinburgh New Town Church (Venue 111) For more info go to: https://www.edfringe.com/tickets/whats-on/anthems-award-winners

Brett Herriot at the Festivals

Rock of Ages, Sanctuary at Paradise in Augustines (Venue 152) Review:

**** 4 Stars

a fabulously rock driven show

Edinburgh based Bare Productions really are building up acclaim for there now annual outings at the Fringe Festival in there home of Paradise in Augustines for a 9-day run in the early going of the festival. 2025 see’s the company taking on the jukebox musical “Rock of Ages” which marks its 20th anniversary of its debut in Los Angeles in 2005 at fittingly, The King King Club on Hollywood Boulevard.

Telling the story of Lonny Barnett (a fabulous comedy turn from Sam Eastop) who works at the Bourbon Room (a thin disguise for the real life Viper Room in L. A) his manager and love interest, Dennis (Will Jackson) and the clubs customers. It’s a story of love, ambition and holding onto one’s dreams all this warped up in a rock score featuring songs from Styx, Journey, Bon Jovi and Europe to name a but a few.

Bare have turned out a fabulously rock driven show with performances taking the focus from a well drilled 16 strong ensemble company who truly enjoy every moment on stage. The entire company blend powerhouse vocals with high energy Chorography. Leading the company is Joshua Scott as “Drew” whilst eternally cute also has the most magnificent rock voice that comes from his soul and nails every single song. Georgia Brennan as “Sherrie” is also a pocket rocket of talent and shines wonderfully well. Eastop and Will Jackson are comedy gold as Lonny and Dennis. Special mentions must go to Aodhan Mallon as Franz who takes straight camp to new heights and Rosie Sugrue as Justice, my word a west end worthy powerhouse of vocals that’s a pure joy to see on stage.

While the performances are excellent It was clear there were major technical issues going on with a delayed start to the evening performance. These difficulties particularly effected Musical Director Finlay Turnbull’s excellent 5 strong house band. One musician in particular clearly displayed their unhappiness so much, so it pulled the focus, especially heading off stage during a scene. Whilst that is very rock and roll its always worth remembering onstage bands are very much part of the over all production. The gremlins even got into the lighting towards the end of the show. That being said it became strikingly clear these issues were with the venue more than the performing company and with a bit of work hopefully these issues will be smoothed out for the rest of the run.

Rock of Ages truly delivers an entertaining evening of musical theatre that will have there sold out audiences rocking out to there hearts content as they embody the rock pantheon of Never Stop Believing! Wonderful Stuff!

Rock of Ages, Sanctuary at Paradise in Augustines (Venue 152) For more info go to: https://www.edfringe.com/tickets/whats-on/rock-of-ages

Brett Herriot at the Festivals

Legally Blonde, The Edinburgh Academy- Magnusson Theatre (Venue 70) Review:

***** 5 Stars

“Bleeds diversity and acceptance from its heart “

Edinburgh based Captivate theatre now enjoy a hard-earned reputation of excellence for producing story and performance driven theatre that sees over 250 creatives working across 9 shows and 4 venues across the 2025 Fringe festival.

Interestingly for the first time in its 16-year history the company tackle a musical which has Choreography at its core. Legally Blonde the musical debuted in 2007 with music and lyrics by Laurence O’Keefe & Nell Benjamin and book by Heather Hach based on the 2001 motion picture tells the story of Elle Woods a law school blonde who sets out to define expectations and along the way discovers herself and just what she can achieve.

Captivate deliver a joyous production that bleeds diversity and acceptance from its heart in a fast paced and excellently directed and choregraphed show from Colum Findlay. The stellar 24 strong ensemble cast live and breath every moment on stage delivering pinpoint dance with fabulous vocals and expertly handled comedy.

Performances across the board are excellent with Elsie Watson taking on the lead role of Elle (she will alternate with Niamh Osborne) her performance imbues everything an Elle should be and more with lush vocals and perfectly judged emotions throughout.  Speff Strachan’s “Paulette” is a comedy tour de force but always truthful. Filling the role of sleazy Callahan is Rory Maclean who delivers well in a character that’s completely driven yet devoid of humanity. Bailey Easton is a standout as “Emmett” he lets the characters heart shine through in an emotionally delivered performance. A special mention must go to Emma Clarkson as “Brooke” initially portrayed as bitch driven by vanity when in reality it’s her female empowerment that ultimately grabs the audience in a wonderfully physical performance.

Director Findlay makes the most of the intimate space aided by a fabulous lighting design from MM Sound and lighting and the show is lifted by Charlotte Nicholson’s excellent wardrobe design, even Nicholson herself pops up on stage for a cameo that lands well. Musically the show is a triumph with musical director Fraser Hume and his 10 strong band revelling in the pop infused score.

This is a Legally Blonde which transcends the Fringe Festival, blending together excellent storytelling, sublime performances and a heart felt mantra that we can be who ever we choose to be, and we all deserved to be loved for who and what we are.

You won’t go wrong in rounding out a festival day with this endearing and spectacular production! Truly unmissable Fringe theatre at its best!

Legally Blonde, The Edinburgh Academy- Magnusson Theatre (Venue 70) For more info go to: https://www.edfringe.com/tickets/whats-on/legally-blonde